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Showing posts with label 2013. Show all posts
Showing posts with label 2013. Show all posts

Planes (2013)


Directed byKlay Hall
Produced byTraci Balthazor-Flynn
Screenplay byJeffrey M. Howard
Story byJohn Lassete
Klay Hall
Jeffrey M. Howard
StarringDane Cook
Stacy Keach
Priyanka Chopra
Brad Garrett
Cedric the Entertainer
Julia Louis-Dreyfus
Roger Craig Smith
John Cleese
Carlos Alazraqui
Music byMark Mancina
Editing byJeremy Milton
StudioWalt Disney Pictures
DisneyToon Studios


Planes is a 2013 American 3D computer-animated sports comedy film produced byDisneyToon Studios and released by Walt Disney Pictures It is a spin-off of Pixar'sCars franchise and the first film in a planned Planes trilogy. Despite not being produced by Pixar, the film was co-written and executive produced by Pixar's chief creative officer John Lasseter, who directed the Cars films.
Like most of DisneyToon's films, it was initially set to be released as a direct-to-video film, but was theatrically released on August 9, 2013 in the Disney Digital 3D and RealD 3D formats. A sequel, titled Planes: Fire & Rescue, will follow in 2014.

PLOT

Dusty Crophopper (Dane Cook) is a cropduster plane who works at a cornfield and practices aerobatic manuveurs in his spare time, dreaming of becoming a racer. His dreams are scorned by his boss, Leadbottom (Cedric the Entertainer) and his forklift mechanic friend, Dottie (Teri Hatcher), yet supported by his fuel truck friend, Chug (Brad Garrett). Dusty and Chug train for qualifiers for the upcoming Wings Across the World race. The night before the qualifiers, Dusty asks an elderly and reclusive navy war plane named Skipper Riley (Stacy Keach) to teach him how to fly well, but Skipper refuses. Dusty enters the qualifiers, and although the audience mocks him for being a crop duster, he manages to wow them by his well-practiced flight maneuvers, but comes in 6th place and does not qualify. A few days later, a representative from the qualifier (Sinbad) visits his town looking for Dusty and announces to him that he now placed 5th. This is due to the qualifier ahead of Dusty using an illegal fuel enhancement, nitromethane, getting him disqualified and Dusty replacing him.
Later in the morning, Skipper visits Dusty and tries to talk him out of racing, but when Dusty explains he wants to prove he's more than just a crop duster, Skipper, with the help of his forklift assistant Sparky (Danny Mann), decides to mentor Dusty on his speed and agility. While in the midst of his training, Dusty admits that he has a fear of heights. Despite this, their training continues and when it is complete, Dusty heads off to the meeting of the race at John F. Kennedy Airport where he finds a friend in an eccentric, but loyal Mexican race-plane named El Chupacabra (Carlos Alazraqui) who soon falls in love with a beautiful French-Canadian racer named Rochelle (Julia Louis-Dreyfus), who shows little interest in him. Dusty then makes a rival of the arrogant and villainous three-time winner plane Ripslinger (Roger Craig Smith), who rudely dismisses him as being only a crop duster. Dusty also falls in love with an Indian racer plane named Ishani (Priyanka Chopra).
The first leg of the race is from New York to Iceland. Dusty's refusal to fly high causes him to finish in last place. The second leg of the race is to Germany. Dusty shows good sportsmanship by saving another racer, Bulldog (John Cleese), from crashing when his eyes get squirted with oil from his propellers, winning Bulldog's respect, but finishing last again. The third leg is to an air base at Agra in India, while the fourth leg is over Nepal. In India, Ishani gives Dusty advice on how to fly low through the Himalayas by following some railroad tracks. However, he is forced to fly through a tunnel and narrowly avoids a head-on collision with a steam train, but miraculously finishes first in Nepal. Dusty realizes Ishani deliberately gave him bad advice to get a new propeller from Ripslinger and he shuns her.
The fifth leg is over the Hump (the mountains between northeast India and south China) to Shanghai, where Dusty gets into first place again. There, Dusty manages to help El Chupacabra win Rochelle over with a romantic song, which works a little too well.
The sixth leg is across the Pacific Ocean to Mexico. Ripslinger's henchmen, Ned and Zed (Gabriel Iglesias), destroy Dusty's navigation antenna. Lost and low on fuel and unable to find Hawaii, Dusty is found by two Super Hornets (Val Kilmer and Anthony Edwards) who escort him to the USS "Flysinhower" (a reference to the real-life aircraft carrier USS Dwight D. Eisenhower (CVN-69)) which allows him to land and refuel and be repaired. While on the carrier, Dusty sees a hall of fame set up for Skipper's squadron, but discovers that Skipper only flew one mission, which contradicts his previous reputation as a veteran of many battles. He then has to take off and try to beat an oncoming storm. The storm becomes very violent with enormous waves. Dusty gets distracted from flying due to his thoughts about Skipper and ends up crashing into the ocean, but is rescued. He is flown to Mexico to his friends, but he is severely damaged and may never fly again. Skipper confesses to Dusty that he did indeed fly only one mission in the Pacific theatre where his entire squad of trainees was killed in an attack on the Japanese Navy. Skipper was the only survivor, but torn by his guilt, he never trained another plane or flew again. Demoralized and heartbroken, Dusty begins to consider dropping out of the race, but is encouraged by his friends, racers and many of his new-found fans to continue and they all donate parts to have Dusty repaired.
The seventh leg is back to New York. With a change of heart and morale restored, Dusty becomes determined to win the race, but Ripslinger still won't give up and plots to sabotage his chances of winning. He and his goons ambush Dusty, but are thwarted by Skipper, who overcame his guilt and came to help Dusty. When trying to catch up with Ripslinger, Dusty conquers his fear of heights when his engine starts losing power, forcing him to ride the jetstream when he recognizes from clouds that a jetstream is overhead. Both he and Ripslinger make it to the finish line in New York. When it looks like Ripslinger will win, his ego gets the best of him and slows down to have his picture taken. Dusty seizes the opportunity and wins the race while Ripslinger crashes into some portable toilets. Dusty is congratulated by his friends and fans and Skipper thanks him for giving him the confidence to fly again. Skipper rejoins the navy on the Flysinhower with Dusty as his partner and they take flight together.
At the end of the credits, a message appears stating "Dusty Crophopper will return in Planes: Fire & Rescue."

TRAILER



REVIEW

Beware of critics gunning for Planes as if they were the Red Baron dive-bombing Snoopy. The aeronautical spin-off of Pixar's "Cars" franchise is carrying way too much unchecked baggage to be dismissed as yet another cartoon attraction in a summer already overrun with leafy warriors, collegiate monsters, high-octane snails, mumbling Minions and annoying Smurfs.
First, Disney—which owns the premier animation house that "Toy Story" built—had the audacity to put what was originally a straight-to-DVD release into theaters and pass it off as a "real" movie—and without the benefit of the kind of second-thought upgrades afforded to "Toy Story 2," a onetime direct-to-video project. Then a "Cars" logo was slapped on ads and posters, along with the tagline "From the world above Cars," perhaps causing some patrons to think "Planes" is a Pixar film instead a product of Disney's home-entertainment division. On top of that, they had the nerve to cram store shelves with beckoning toy replicas of the movie's cute flying machines, just in time to disrupt back-to-school shopping expeditions.
No one can fault Disney too much for seizing a money-making opportunity—especially once they realized they weren't going to make much "Hi-yo, Silver!" off of "The Lone Ranger." Instead, it all comes down to whether "Planes" will please its core audience of tots and their parents who want more of what "Cars" and its sequel (both probably the least-loved of Pixar's 14 features) gave them—a cleverly conceived human-less universe tweaked for vehicular inhabitants, zoom-y action stunts, hokey pun-filled humor and colorful characters. Judging on that scale, "Planes" modestly succeeds. Very modestly.
From the opening frames, adults will immediately notice a certain-stripped down sensibility, with the entrance of Dusty Crophopper (voiced with guy-ish gusto by Dane Cook), a Midwestern crop duster who dreams of competing in a race around the world against an eccentric flock of international competitors. It's 1965's "Those Magnificent Men and Their Flying Machines" but minus the men. Although there are plenty of swell loop-de-loop visual thrills in the 3-D-enhanced airborne sequences, the backdrops are barely filled out and eye-catching details are lacking.
The plot is generic to a fault, presenting Dusty as a typical fish out of water with big dreams whose fatal flaw is an inconvenient fear of extreme heights. The movie's flight plan follows the ups and downs of our brave little single-prop racer as he runs into an array of barriers—devious foes, a femme fatale, low fuel, bad weather and the ever-popular mechanical difficulties—while heading to such destinations as Iceland, the Himalayas and Mexico. Naturally, he has a crew of sidekicks including slow-witted fuel truck Chug (Brad Garrett), no-nonsense mechanic Dottie (Teri Hatcher) and Skipper Riley (Stacy Keach), a Navy Corsair who flew in World War II and is the grizzled-mentor answer to Paul Newman's Doc Hudson in "Cars." None will engender the sort of affection that is second nature in Pixar fare.
As for the globe-spanning cast, they are broadly drawn—and, in some cases, borderline offensive. Still, if you can buy El Chupacabra (Carlos Alazraqui), a chubby Mexican aircraft—imagine Jack Black in "Nacho Libre" with propeller nose—who woos slinky French Canadian she-plane Rochelle (Julia Louis-Dreyfus) with cheesy lines ("Are you tired? Because you've been flying through my mind") and a mariarchi band that performs a slow-dance version of disco anthem "Love Machine," little else that should cause navigational problems. Well, maybe Cedric the Entertainer's crotchety Southern-accented biplane Leadbottom.
There are references to "Cars" (those mooing cow-tipped tractors make an appearance) and in-jokes that those with ages in the double digits might appreciate. When villainous plane Ripslinger (Roger Craig Smith) sees that his iPad-like device (referred to as a Sky Pad) is broken, he shrugs it off: "A new one is coming out in two weeks." Still, considering that the appeal of "Planes" skews rather young, there are taste issues, including a disturbing scene that shows nearly an entire squadron of planes dying in an attack, and Dusty's manly reluctance to gain more speed by losing the dangling crop sprayer attached to his nether regions.
However, if you adjust expectations accordingly and watch the film through the mindset of a child, the minimalism of "Planes" might feel like a refreshing change of pace from the recent onslaught of loud CG spectacles. When a father walking out ahead of me asked his pint-size daughter how she liked the movie, she declared it as "Awesome!" with all the confidence a 5- or 6-year-old can muster. That is the opinion that counts.

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Gangster Squad (2013)

Directed byRuben Fleischer

Produced byBruce Berman
Ruben Fleischer
Dan Lin
Kevin McCormick
Jon Silk
Michael Tadross

Screenplay byWill Beall

Based onTales from the Gangster Squad
by Paul Lieberman

StarringJosh Brolin
Ryan Gosling
Sean Penn
Nick Nolte
Emma Stone
Anthony Mackie
Giovanni Ribisi
Michael Peña
Robert Patrick

Music bySteve Jablonsky

CinematographyDion Beebe

Editing byAlan Baumgarten
James Herbert

Studio






  • Village Roadshow Pictures
    Lin Pictures

    6.7/10-IMDb
    40%-Metacritic


    PLOT


    In 1949 Los Angeles, gangster Mickey Cohen (Sean Penn) wants to control all organized crime, arguing with local mobster Jack Dragna that they should not allow the East coastMafia to run the town.
    Los Angeles Police Department (LAPD) detective John "Sarge" O'Mara (Josh Brolin) busts into a Cohen brothel to save a woman, newly arrived to Hollywood, from Cohen's thugs. Chief Bill Parker (Nick Nolte), impressed that O'Mara had knowingly raided a Cohen operation – and aware that O'Mara has special operations background and training at Camp X during World War II – tasks O'Mara to wage guerrilla warfare against Cohen, and appoints him to choose a small team that must work in anonymity, with no badges and no LAPD support.
    O'Mara's pregnant wife Connie (Mireille Enos) suggests choosing unorthodox veterans like himself, as young high-performers are probably already on Cohen's payroll. With Connie helping him to review personnel files, O'Mara selects a small squad of cops: Coleman Harris (Anthony Mackie) is a black cop who wants to cut off the heroin flow toCentral Avenue, wiretapper and family man Conway Keeler (Giovanni Ribisi) wants his son to know that he fought to make a difference, old timer and gunslinger/sharpshooter Max Kennard (Robert Patrick) and his young Hispanic partner Navidad "Christmas" Ramirez (Michael Peña) do not fit in well with the regular force and want in.
    O'Mara fails in an attempt to recruit Sgt Jerry Wooters (Ryan Gosling), a detective who prefers to do the minimum in his daily job. Wooters keeps in touch with childhood friendJack Whalen (Sullivan Stapleton), an informant with some connections to Cohen. Grace Faraday (Emma Stone) is Cohen's etiquette coach and girlfriend. Wooters and Grace begin a secret romantic relationship, protected by a reluctant Whalen.
    The squad raids an illegal Cohen casino in Burbank, but are confronted by corrupt Burbank cops. O'Mara and Harris are captured and held in the Burbank jail for pickup by Cohen's gang. When Wooters witnesses a young friend/shoeshine boy gunned down when Cohen's gang botches an attack on boss Dragna, he decides to help Kennard and Ramirez to free the other two from the Burbank jail and join the squad.
    With information from an illegal bug that they place in Cohen's house, the squad makes several successful blows at the heart of Cohen's criminal organization. The media refers to them as "The Gangster Squad". Keeler's expertise allows the squad to deduce the location of Cohen's significant wire gambling business, the heart of his empire. The squad successfully burns down the business, but Cohen's men inform him that they didn't take any of his money. Cohen finally realizes that they must be a group of honest cops, rather than thugs from mob boss Dragna trying to takeover his business. Cohen believes someone betrayed him and wired his house, causing Grace to run away fearing Cohen might know of her relationship with Wooters.
    Feeding false information to the bug in his house, Cohen is able to lure the Gangster Squad into a trap in Chinatown. Wooters takes Grace to Whalen to get her out of town, and learns about the ambush—he rushes to Chinatown just in time to alert the rest of the squad.
    While the Chinatown ambush is being thwarted, Cohen is hitting a number of other locations. Cohen's bodygurad has found Keeler's listening post and kills him. Cohen arrives at Whalen's looking for Grace (who hides and watches), and kills him. O'Mara's house is hit by a drive-by, and Connie gives birth to their son under the stress.
    Grace tells Wooters she is willing to testify against Cohen regarding Whalen's murder, prompting O'Mara and the surviving squad members to arrest Cohen at his heavily guarded Park Plaza Hotel. A long firefight breaks out, with Wooters being wounded in the process of killing the Cohen thug who had killed the shoeshine boy. O'Mara pursues Cohen and his bodyguard down the block, where the bodyguard gets the jump and is about to kill O'Mara. An injured Kennard, with his dying breath, manages to sharpshoot Cohen's bodyguard from a block away, saving O'Mara. O'Mara and former prize-fighter Cohen come to fisticuffs. As a crowd of onlookers and journalists gather, O'Mara defeats Cohen and has him arrested.
    As they'd been told, the Gangster Squad is never credited in taking down Cohen. Grace's testimony ensures Cohen is sentenced to 25 to life at Alcatraz, where he is welcomed violently by Whalen's friends. Grace and Wooters stay together and he stays on the force, while Ramirez and Harris stay on and become partners on the beat. O'Mara quits to live a quiet life in Los Angeles with Connie and their son.


    REVIEW

    You may have noticed that the trailers for "Gangster Squad" are peppered with hyperbolic review quotes provided by syndicated critics of dubious merit. They're a sure sign of a movie's mediocrity, and my favorite blurb hypes "Gangster Squad" as "the best gangster film of the decade!!" Man, what a drag. If that's true, the next seven years are going to be lousy for the world's favorite crime genre.
    To be fair, this tawdry dose of pulp fiction ("inspired by real events") is not a complete waste of time. It offers the marginal pleasure of an all-star cast slumming their way through a thicket of routine plotting, almost laughable dialogue and the constant blaze of tommy guns. The latter also resulted in a postponed release: A scene involving machine guns in a movie theater was cut after last year's tragic "The Dark Knight Rises" multiplex killings in Aurora, Colorado, and other scenes were rewritten and re-shot to fill gaps in the narrative.
    Not that it mattered much. No amount of tinkering could repair the film's tonal inconsistencies. A comedy specialist stepping into semi-dramatic territory, director Ruben Fleischer scored a modest hit with 2009's giddy, satirical "Zombieland" (he is currently filming a sequel), and delivered plenty of laughs on TV, directing segments of HBO's "Funny or Die Presents" and working with Jimmy Kimmel, Zach Galifianakis, Michael Cera and Will Ferrell, among others.
    In "Gangster Squad," however, Fleischer seems out of his element. His film has the familiar look and feel of a gangster classic, with plenty of dark, burnished hardwoods, shiny vintage cars and meticulous attention to period details of costume, architecture and interior design. Cinematographer Dion Beebe, who earned an Oscar for his work on "Memoirs of a Geisha" (and was nominated for "Chicago"), bathes "Gangster Squad" in a rich palette of smoky shadows and dazzling night-life opulence. Yet for all the production's post-war gloss and moody atmosphere, you still get the sense that Fleischer is barely suppressing an urge to spoof the genre.
    It's late 1949, and as the holidays approach, former-boxer-turned-Chicago-mobster Mickey Cohen (Sean Penn) has expanded Meyer Lansky's Jewish mafia to Los Angeles, where's he's planning to monopolize drugs and gambling and squeeze his bosses out of the equation. He means business, too: As the movie opens, Cohen sends a message to Chicago by chaining one of Lansky's soldiers between two revving sedans and pulling him apart like a bloody croissant.
    Early on, there's still hope that "Gangster Squad" might at least aspire to the crackling volatility of "L.A. Confidential," the brash brutality of "Mulholland Falls," the verbal and visual eloquence of "Miller's Crossing" or the classy opulence of Barry Levinson's "Bugsy" (partially set in nearly the the same place and time, and featuring Harvey Keitel as Cohen). That's just wishful thinking. If anything, "Gangster Squad" is an "Untouchables" wanna-be, as Irish LAPD sergeant John O'Mara (Josh Brolin) is given carte blanche orders by incorruptible LAPD Chief Parker(Nick Nolte) to recruit an off-the-books squad of crimefighters to topple Cohen's empire without the benefit of a David Mamet screenplay.
    It's all good fun at first, even when it's obvious that each of these stock characters is introduced with a single attribute that shallowly defines them for the rest of the movie. O'Mara is a no-nonsense strategist with a punishing right hook and a supportive, pregnant wife (Mireille Enos, from AMC's "The Killing") waiting for him at home. Sgt. Jerry Wooters (Ryan Gosling) is a ladies' man who's reluctant to get involved until he meets Cohen's red-dressed moll Grace (Emma Stone), who wonders "where've you been all my miserable life?" –- a line Stone nearly chokes on as her chemistry with Gosling in "Crazy Stupid Love" curdles into lukewarm mush.
    Grizzled officer Max Kennard (Robert Patrick) is a legendary sharpshooter; his young Mexican partner Navidad Ramirez (Michael Peña) drives a mean chase car; and officer Conway Keller (Giovanni Ribisi) is an expert in post-war surveillance -- a techie version of Charles Martin Smith's ill-fated accountant from "The Untouchables." Each of them gets a moment to shine, usually accompanied by a crowd-pleasing quip or throwaway sight gag.
    Those scenes benefit from Fleischer's comedic sensibility, but whenever "Gangster Squad" gets down to the serious business of cutthroats and killers, its jarring shifts from light humor to heavy bloodshed reflect the movie's tonal identity crisis. We're ultimately left with a few action highlights (including a technically impressive car chase) and some dazzling recreations of vintage Hollywood landmarks, including Slapsy Maxie's nightclub (a frequent Cohen hangout) and the infamous Garden of Allah apartment complex.
    We're also treated to occasional (muzzle-) flashes of brilliance from Penn. His Cohen is like a corked-up volcano, always on the verge of eruption. At one point, Cohen grows so murderously vile that evil has contorted his visage. Penn, at 52, has acquired facial cracks and crevices that deepen his formidable presence, and his already heavy eyelids look like they're almost melting over Cohen's cold, unforgiving gaze.
    So while the cast has a field day, Fleischer seems content to equate flashiness with quality, employing such visual tricks as variable slow-motion when bullets and bodies are flying, and digital wizardry designed to give explosions and other pyrotechnics a dynamic, almost three-dimensional life of their own. And while the ultra-slow-mo image of a Christmas tree ornament shattering in a hail of bullets may look pretty cool for a few seconds, it's merely a brief distraction from the shortcomings of Will Beall's screenplay, adapted (loosely, we can assume) from the book of the same title by Paul Leiberman.
    Beall's script reaches its nadir, oddly enough, with Brolin's closing narration, which is so sentimentally sappy that it deservedly drew groans from a preview audience. By the time it fades to black, "Gangster Squad" has squandered most of its early promise. Here's a telling comparison: I recently happened upon a showing of "Mobsters," the Christian Slater vehicle that's been a cable-TV staple since its release in 1991. Packed with B- and C-list costars like Richard Greico and Costas Mandylor, it's still a marginally better film than "Gangster Squad," and that's faint praise indeed.
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    Texas Chainsaw 3D(2013)

    Texas Chainsaw 3D
    Directed byJohn Luessenhop
    Produced byCarl Mazzocone
    Screenplay byKirsten Elms
    Adam Marcus
    Debra Sullivan
    Story byStephen Susco
    Adam Marcus
    Debra Sullivan
    Based onCharacters
    by Tobe Hooper
    Kim Henkel









    Texas Chainsaw 3D is a 2013 American slasher film directed by John Luessenhop and written by Debra Sullivan and Adam Marcus. It is the seventh film in the Texas Chainsaw Massacre franchise, and was presented in 3-D. The film stars Alexandra Daddario, Dan Yeager, Tremaine NeversonTania RaymondeThom BarryPaul Rae, and Bill Moseley. The story centers on Heather, who discovers that she was adopted after learning of an inheritance from a long-lost grandmother. She subsequently takes a road trip with her friends to collect the inheritance, unaware that it includes her cousin, Leatherface, as well. Filming began in the summer of July 2011, with Kirsten Elms and Luessenhop providing rewrites to the script. Texas Chainsaw 3D was released on January 4, 2013.


    PLOT

    Picking up after the events of the the original film, the people of Newt, Texas, led by Mayor Burt Hartman (Paul Rae), burn down the farmhouse of the Sawyer family for their role in aiding Jedidiah "Jed" Sawyer (Dan Yeager), also known as "Leatherface", in several murders. The arsonists are celebrated as heroes in the town, and the entire family is presumed dead. However, an infant, Edith Sawyer, is found by one of the townsmen, Gavin Miller (David Born), who promptly murders her mother, Loretta Sawyer (Dodie Brown), and adopts Edith with his wife Arlene (Sue Rock). Decades later, Edith has been raised by Gavin and Arlene as Heather Miller (Alexandra Daddario). One day, Heather is notified that her grandmother, Verna Carson (Marilyn Burns), has passed away and left everything to her; discovering that she was adopted, Heather and her boyfriend Ryan (Tremaine Neverson), and two other friends, Nikki (Tania Raymonde) and Kenny (Keram Malicki-Sánchez), travel to Newt to collect her inheritance. Along the way, the group picks up hitchhiker Darryl (Shaun Sipos).
    When they arrive, the Sawyer family lawyer, Farnsworth (Richard Riehle), gives her the keys to the family house along with a letter from Verna. Excited about the property she now owns, Heather and her friends look through the house, decide to stay the night, and immediately set off to buy supplies and food, trusting Darryl to stay and look over the house. Darryl begins looting it and believes he will find valuables in a locked room in the cellar of the house; however, upon entering the locked room he is bludgeoned by Leatherface. Heather and her friends return and discover the house has been ransacked, but choose to let it go. As Kenny prepares dinner he finds the butler's cellar, where Darryl was killed, and Leatherface impales him on a hook. Heather finds a decomposing body upstairs and runs to find her friends, but she is knocked unconscious by Leatherface. Waking up in Leatherface's room, she manages to escape to the graveyard. Hearing the screams and chainsaw, Ryan and Nikki draw the attention of Leatherface, while Heather gets their van and picks up her friends.
    In the ensuing chase, Leatherface saws through one of the van's tires, causing it to crash and subsequently kill Ryan. Heather escapes and makes her way into a carnival, but Leatherface escapes the police who are patrolling the grounds. Sheriff Hooper (Thom Barry) realizes that Leatherface survived the fire and is still alive; Mayor Hartman sends Officer Marvin (James MacDonald) to the Sawyer house to kill Leatherface, against Hooper's orders. While looking for Leatherface, Marvin is startled and accidentally kills Nikki, before being killed by Leatherface himself. While at the station, Heather learns of what the townspeople did to her family and flees. She is soon caught by Hartman's son, Deputy Carl Hartman (Scott Eastwood), who ties her up at the long-abandoned Sawyer slaughterhouse to lure Leatherface. Once there, Leatherface finds out that Heather is his cousin and cuts her ties, but is attacked by Mayor Hartman and another officer, Ollie (Ritchie Montgomery). As Heather hears her cousin being beaten she decides to help him, killing Ollie with a pitchfork and giving Leatherface his chainsaw, which he uses to force Mayor Hartman into a meat grinder. Afterward, Heather and Leatherface return home, where Heather reads the letter from Verna that tells her Leatherface will protect her in return for being taken care of. Realizing Leatherface is the only family she has left, Heather decides to stay with him.
    In a post-credits scene, Gavin and Arlene show up at the mansion to visit Heather, intending on greedily splitting her assets. As they wait in front of the door, Leatherface answers with his chainsaw in hand.

    REVIEW

    Time to fire up the critical Black & Decker: Somebody—there are six credited screenwriters—really wasn’t clear on the concept. The guy's called Leatherface (Dan Yeager, behind the skins). He lumbers after people, kills them and then his family eats them. How hard is that? After a brief montage from Tobe Hooper’s feverish 1974 classic, we’re back at the murder house, where—what’s this?—a bunch of yahoo hicks shoot down the remaining cannibal clan and torch the porch. These yokels are our villains now, and unfortunately, they’re a lot less scary or suggestive. Bereavement’s Alexandra Daddario, playing a distant Leatherface cousin set to inherit the manor (and manner), continues her sad career in unbuttoned bondage, and the 3-D effects are especially ruinous.

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